![]() Overall, "My Boo" is a heartfelt ode to a love that remains alive in the memories of two people who were once deeply connected. However, no matter the circumstances or the presence of other people in their lives, they affirm that they will always consider each other their "boo," an affectionate term meaning significant other or soulmate. Throughout the song, there is a sense of longing and a recognition that they haven't seen each other in a while. They acknowledge that they used to argue but reassure each other that it's alright, as their history together holds a significant place in their hearts. Another man has taken over in her life, but their love is still evident in her eyes. The chorus reflects on the shift that has occurred in their relationship since they were younger. Alicia Keys echoes this sentiment, emphasizing how their connection was so strong that they would always think of each other. Usher reminisces about being there for the girl before their fame and success, reminiscing about giving her her first kiss. The song captures the sentiment of cherishing a first love and the memories associated with it. Despite the passage of time and the presence of other romantic partners, the bond between them remains unbreakable. ![]() ![]() The lyrics tell the story of two people who were deeply in love when they were younger but have since taken different paths in life. Song Samples (in order): Erik B & Rakim – Paid in Full, Dee-Lite – Groove is in the Heart, Madonna – Vogue, Azealia Banks – 212, Sylvester – You Make Me Feel, Michael Jackson – Don’t Stop ’Til you get Enough, Marshall Jefferson – Move Your Body, DJ Snake ft.The song "My Boo" by Usher and Alicia Keys is a nostalgic and bittersweet reflection on a past relationship that still holds a special place in the narrator's heart. Licensed Tracks/SFX (in order): Biodynamic modulated stutter riser, Dance like crazy – Ikoliks, Our Vibe – Superlative, Dance Out There – Alejandro Molinari, Pineapple Disco – Audiopanther, Bring It – Naems, Blurry Stars – Nbdy Nprtnt, Dark Future – Skygaze, Taika Promo (Rolling Stone VO). Visual Credits (in order of appearance): Kylie Minogue – Can’t Get You Out of My Head, Crystal Waters – Gypsy Woman, Beyonce – Blow, Corona – The Rhythm of the Night, Madonna – Sorry, Britney – Till the World Ends, Madonna – Vogue, Daft Punk – Get Lucky, Robyn – Dancing on my Own, Joey Beltram – Energy Flash, Azealia Banks – 212, Rihanna & Calvin Harris – We Found Love, DJ Snake & Lil Jon – Turn Down for What, Sylvester – You Make Me Feel, Piri – Soft Spot, Chic – Le Freak, Dee-Lite – Groove is in the Heart, Donna Summer – I Feel Love, Prince – When Doves Cry, Erik B & Rakim – Paid in Full, First Choice – Let No Man Asunder, Michael Jackson – Don’t Stop ’Til you get Enough, A Guy Called Gerald – Voodoo Ray, Grace Jones – Bumper, Marshall – Move Your Body, Internet sensation kid 1997 in Berlin, Whitney Houston – It’s Not Right. Video Editor, Brian Lynch for Rolling Stone If you’re wondering how we got to a summer where Drake and Beyonce are suddenly releasing house records, this is that story - or, at least, our version of it. That’s why you’ll see Prince, Robyn, Britney Spears, Shakira, and Justin Bieber in here bumping up against Adonis, Frankie Knuckles, Moodymann, Goldie, and SOPHIE. We were looking for tracks that seemed to transcend and feel more universally canonical, and we were especially mindful of the moments where dance music has intersected with the wider musical world– with synth-pop, hip-hop, funk, Miami bass, R&B, indie-rock, Latin music and pop. The list doesn’t attempt to incorporate every ripple in this oceanic confluence of sub-genres. These sounds all had peak moments of exposure, but they never fade away: drum ”n’ bass is having a new moment right now, and there are house songs here from the past few years. ![]() It gets born again when disco is re-engineered as house music in Chicago and techno in Detroit, and mutates with almost comic velocity into the Nineties rave explosion that produced everything from jungle to trance to gabba to garage, and eventually the EDM and dubstep bonanzas of the 2000s. James Brown, our story of dance music begins in the mid-1970s with disco, and moves into early Eighties club sounds like electro and Latin freestyle. But to make our list of The 200 Greatest Dance Songs of All Time, a song had to be part of “dance music culture.” It’s a more specific world, but an enormous one too, going back nearly fifty years and eternally evolving right up to today and into the future.Īfter paying homage to the godfather of the extended groove, Mr. Nearly all the hip-hop and reggae ever made is great dance music. ![]() The Beatles made great dance songs - as did Slayer. In a sense, any song that ever got any one person moving in any perceptible direction is a dance song. What do we mean by “dance songs”? Good question. ![]()
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